2000 Year Old Mausoleum to Receive $3 Million for Restoration in Creative Trade

I can’t count the number of times that, when I tell people about my appreciation of mausoleums and cemeteries, I hear, “What a waste of money. What are they good for? People ought to be assigning money in their wills toward art and things that benefit humanity.”

After they have finished their all-things-funerary diatribe, I pause to collect my thoughts. Then, with one eye closed and eyebrow raised, I ask them what they think about the Pyramids of Egypt, the Taj Mahal in India, the Terra-cotta Warriors in China, Westminster Abbey in England, and the Pantheon in Rome. As I continue to rattle off well-known mausoleums and burial locations around the world, they usually hold up their hand imploring me to stop. They get my point. The fact is many of the most popular tourist destinations in the world are mausoleums. They are not only a testament to the entombed person but timestamps that often tell us, in great detail, what the architectural and social mores were at the time they were constructed.

The latest permutation of the staying power of mausoleums is that one of them has now become a bargaining chip: the restoration of the Mausoleum of Augustus in Rome for art. Augustus was the first emperor of Rome. He ruled as emperor for 41 years, dying at age 75 in 14 AD.

Accessorize, Accessorize

Although there are a number of architectural and design styles differentiating mausoleums, designers add a little more pizzazz with architectural embellishments and statuary. The statuary can be inside or outside the mausoleum and, unlike mausoleums where granite is the preferred medium, statuary has a wide range of options.

Durable materials such as granite, marble, and bronze all have their attributes for mausoleum design and embellishment. Each material has its own intrinsic appeal, but the choice of material is essentially a matter of personal taste.

Marble, of course, has been long associated with classical ideals. Its inherent translucency exudes a depth not attainable with granite or bronze. It is also softer than granite or bronze and is easier to work with, especially when trying to simulate smooth human skin. But its softness is also a magnet for stains and the ravages of acid rain.

The City of the Dead in a City of the Dead

Pompeii’s Mausoleums Provide the First Glimpse of the City

Mausoleums make great time capsules, mirroring the styles and traditions of the cultures that create them. Nowhere is that more evident than Pompeii, a city of the dead.

The citizens of Pompeii had plenty of warning signs they were sitting on the edge of the time bomb Mt. Vesuvius. In 62 C.E., a small earthquake rattled the town. Seventeen years later, in 79 C.E., fissures opened and steam poured out of the cracks. A few days later, pent-up gasses exploded, raining down rock and ash all over the city and prompting over 18,000 of Pompeii’s citizens to flee. Fifteen hundred people were left behind — those who either chose to stay or couldn’t escape fast enough. Staying proved to be a fatal error. Every one of the 1500 perished.

The 79 C.E. eruption of Mt. Vesuvius buried Pompeii in a thick layer of volcanic ash (tephra) approximately 75 feet deep and put a timestamp on what life was like in a small Roman town in the autumn of 79. Pompeii became an architectural and historical treasure trove.

Family Mausoleums Afford Opportunities to Channel Inspiration

“Genius,” Thomas Edison famously said, “is 1% inspiration and 99% perspiration.” That quote is often morphed into success is 1% inspiration and 99% perspiration and the various percentages of inspiration and perspiration have been altered as well. But the message is clear: under the visible tip (inspiration) of the iceberg of invention is an enormous foundation of hard work.  While that is almost always true, what history remembers is the final result and not the effort that it took to achieve it.

To be sure, constructing a mausoleum requires substantial amounts of perspiration, not only by those building it, but by the person funding it. But, again, it is the result that is enduring. To coin another famous quote “God is in the detail.” In other words, if you are going to expend a lot of energy and resources, it’s worth taking time to make some inspired choices.

So where does one look for inspiration when designing a mausoleum? Certainly, there are a number of perfectly appropriate mausoleums that come pre-designed. Most of these designs are based on classical architecture principals and have, since the middle of the 18th century, been a staple of most architects’ palettes. 

Getting Out of Your Furnished Rut

All of us get into ruts, whether it’s in our work or our leisure pursuits. There is a certain comfort with the familiar. But sometimes it’s good to explore new terrain and ideas. When contemplating one’s eternal home it might be worth considering the adventurous and unusual rather than just sticking to traditional styles.

When exploring cemeteries and mausoleums, I look for tombs that are a little (and sometime a lot) different. After all, after exploring dozens and dozens of cemeteries around the world, mausoleums, just like there urban counterparts, mansions, start to look alike. I like to add a little visual spice to my diet.

I seek out those seemingly out-of-place tombs and mausoleums and find myself wondering if the quirky architectural embellishments reflect an eccentric individual, or if, perhaps, the person simply wanted to make a special final statement.

What many people don’t know is that building a mausoleum in a unique style often costs little more than building one using a conventional design. All mausoleums share similar elements. They need to have foundations, crypts, doors, and substantial walls. It is just the details that separate the conventional from the unique.

Exploring New Dimensions

Traveling through the vast fields of mausoleums in large urban cemeteries in places like New York City and Chicago, it is easy to get the impression that all mausoleums are substantial and authoritative structures. To be sure, most mausoleums are built of rather heavyweight materials. After all, they are designed to last for eternity. And eternity does favor the substantial.

Proper building techniques, combined with an adequate perpetual care plan, enable mausoleum architects to explore unique design options and create some very interesting mausoleums. One material most people don’t associate with mausoleums is large expanses of glass.

To be sure, most mausoleums contain some sort of stained glass window, but modern laminated glass manufacturing techniques render glass virtually unbreakable. Designers use various configurations and sizes of glass to creating a feeling of lightness or airiness.

Remembering Our Fallen Leaders

Fifty years ago many people of my generation experienced a moment that would change their lives forever: our President was assassinated. Although John Fitzgerald Kennedy is not buried in a mausoleum, his burial spot in Arlington National Cemetery shows the importance of memorialization. Indeed, his grave is one of the most visited in the world.

What follows is my remembrance of that day.

On March 12, 1963, a troubled young man who identified himself as A. Hidell of Dallas, Texas clipped a coupon from the February 1963 issue of the American Rifleman magazine. That small coupon was for a surplus Italian made 6.5 X 52mm Mannlicher-Carcano rifle sold by Klein’s Sporting Goods in Chicago, Illinois. A. Hidell also added a cheap 4X scope to his order, put the coupon and a United States Postal Money Order for $21.45 (which included $1.50 for shipping) into an envelope, and mailed his order to Klein’s Sporting Goods. One week later, Klein’s shipped a package containing the gun and scope to A. Hidell, P.O. Box 2915 Dallas, Texas. The package was picked up in Dallas a few days later by the man calling himself A. Hidell.

The Urban Mausoleum

It is a common, but understandable, misconception that cemeteries in large urban areas like New York City no longer have space available for constructing new private mausoleums.

The Mausoleum of Jesus

Travelers to the Holy Land will soon find out that there are two places that purport to be the burial place of Jesus. The most famous and well known site is in the Church of the Holy Sepulchre, within the city walls of Old Jerusalem.

The first Church of the Holy Sepulchre was built in the fourth century under orders from the Emperor Constantine. The work was actually supervised by Constantine’s mother, Helena. The story goes that, during Helena’s time there, both Golgotha, the Hill of Calvary, and Jesus’ rock-cut tomb were found in the same area and both were incorporated into the greater church building. The area around the rock-cut tomb is said to have been chipped away, but the tomb itself preserved.

Like much of the history in the Holy Land, specific events have become clouded over time. The original church building was destroyed and, as the centuries ticked on, various parts of subsequent churches were damaged, built, and rebuilt numerous times by various political and religious factions that occupied Jerusalem. Perhaps the most notable episode in the long history of the church is when the Crusaders retook the church from the Fatimids during the First Crusade in 1099.